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Péter Sóvári is a successful actor and notorious womanizer. Director Lajos Borsai, equally fond of the playboy lifestyle but in dire financial straits, aims to secure his fortune by wooing Mexican soap-opera tycoon Dulcinea de la Rosa as both wife and backer for his script. Their paths collide when both men fall in love with rising star Ibolya.

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Egy Verbol is a documentary film featuring the hungarian band Ismeros Arcok.

László Dömötör, the divorced registrar, cannot get rid of his ex-wife any more than he can get rid of marriages. He is desperate to find new love, with little success. After Dömötör gets drunk as a tension reliever at work and turns one of his weddings upside down, his boss fires him. On his way out, he catches a glimpse of Norbert Lázár, an up-and-coming, semi-secret producer who runs nightclubs. Unconfirmed reports say he died in Africa. The man looks exactly like him. All of this spurs him to a crazy idea. A modernised adaptation of the 1942 comedy.

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我不想像一只鸽子那样，在你们的欧洲生活。

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.

This is one of the most beautiful and mysterious shorts committed to film. Visuals are more like a moving painting than anything else I've seen. There are certainly elements of films like City of Lost Children in there, but taken to another level. Visually only Casshern comes close to this, for sheer depth of vision. It just shows you what is possible for people to achieve with some imagination. Too many film makers seem to want to use digital effects to create the most realistic looking sets/ extras/ stunts, when they should be concentrating on making it look as interesting as possible.

The setting is Croatia and the time is the first third of the 20th century. The characters in this carnival "comedy" are drawn from the upper echelons of Croatian society. Krleza's characters talk of love, morality and art, but their appreciation of each other, their sense of true love, is as alien to them as true art: their approach to life and art are both false.